Bach Bibliography
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Series : ^BachPerspectives$
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
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1. Schulenberg, DavidComposition and Improvisation in the School of J. S. Bach. BachPerspectives 1 1995 1-42
2. Stinson, RussellThe Compositional History of Bach's Orgelbüchlein Reconsidered. BachPerspectives 1 1995 43-78
3. Marissen, MichaelConcerto Styles and Signification in Bach's First Brandenburg Concerto. BachPerspectives 1 1995 79-101
4. Chafe, Eric T.'Anfang und Ende': Cyclic Recurrence in Bach's Cantata 'Jesu, nun sei gepreiset', BWV 41. BachPerspectives 1 1995 103-134
5. Crist, Stephen A.The Question of Parody in Bach's Cantata 'Preise dein Glücke, gesegnetes Sachsen', BWV 215. BachPerspectives 1 1995 135-161
6. Brokaw, James A., IIThe Perfectability of J. S. Bach, or Did Bach Compose the Fugue on a Theme by Legrenzi, BWV 574a? BachPerspectives 1 1995 163-180
7. Stinson, Russell (ed.)Bach Perspectives I. Edited by Russell Stinson. - Lincoln NE, Univ. of Nebraska Press, 1995. xii, 226p. BachPerspectives 1 1995 xii, 226p
8. Stauffer, George B.The Breitkopf Family and Its Role in Eighteenth-Century Music Publishing. BachPerspectives 2 1996 1-9
9. May, ErnestConnections between Breitkopf and J. S. Bach. BachPerspectives 2 1996 11-26
10. Glöckner, AndreasChurch Cantatas in the Breitkopf Catalogs. BachPerspectives 2 1996 27-33
11. Schulze, Hans-JoachimJ. S. Bach's Vocal Works in the Breitkopf Nonthematic Catalogs of 1761 to 1836. BachPerspectives 2 1996 35-49
12. Kobayashi, YoshitakeBreitkopf Attributions and Research on the Bach Family. BachPerspectives 2 1996 53-63
13. Daub, PeggyThe Publications Process and Audience for C. P. E. Bach's 'Sonaten für Kenner und Liebhaber'. BachPerspectives 2 1996 65-83
14. Zaslaw, NealThe Breitkopf Firm's Relations with Leopold and Wolfgang Mozart. BachPerspectives 2 1996 85-103
15. Kobayashi, YoshitakeOn the Identification of Breitkopf's Manuscripts. BachPerspectives 2 1996 107-121
16. Hill, Goerge R.Identifying Breitkopf House Copies Produced by the Firm's Own Scribes: A Preliminary Survey. BachPerspectives 2 1996 123-141
17. Cammarota, Robert M.The Magnificat Listings in the Early Breitkopf Nonthematic Catalogs. BachPerspectives 2 1996 143-156
18. Butler, Gregory G.Johann Gottlob Immanuel Breitkopf: The Formative Years. BachPerspectives 2 1996 159-168
19. Landmann, OrtrunBreitkopf's Music Trade as Reflected in the Holdings of the Sächsische Landesbibliothek. BachPerspectives 2 1996 169-179
20. Stauffer, George B.The Thomasschule and the Haus 'zum Goldenen Bären': A Bach-Breitkopf Architectural Connection. BachPerspectives 2 1996 181-203
21. Stauffer, George B. (ed.)J. S. Bach, the Breitkopfs, and Eighteenth-Century Music Trade. Edited by George B. Stauffer. - Lincoln, Neb.: Univ. of Nebraska Press, 1996. xv, 219p. (= Bach Perspectives, 2) BachPerspectives 2 1996 xv, 219p
22. Finscher, LudwigBach's Posthumous Role in Music History. BachPerspectives 3 1998 1-21
23. Christensen, ThomasBach among the Theorists. BachPerspectives 3 1998 23-46
24. Marshall, Robert L.Bach and Mozart's Artistic Maturity. BachPerspectives 3 1998 47-79
25. Kinderman, WilliamBachian Affinities in Beethoven. BachPerspectives 3 1998 81-108
26. Frisch, WalterBach, Brahms, and the Emergence of Musical Modernism. BachPerspectives 3 1998 109-131
27. Hinton, StephenHindemith, Bach, and the Melancholy of Obligation. Also in: Hindemith-Jahrbuch, 27 (1998), pp. 197-217. BachPerspectives 3 1998 133-150
28. Marissen, Michael (ed.)Creative Responses to Bach from Mozart to Hindemith. Edited by Michael Marissen. - Lincoln, Neb.: University of Nebraska Press, 1998. ix, 160p. ISBN: 0-8032-1048-5. (= Bach Perspectives, 3) BachPerspectives 3 1998 ix, 160p
29. Butler, Gregory G.The Question of Genre in J. S. Bach's Fourth Brandenburg Concerto. BachPerspectives 4 1999 9-32
30. Mann, AlfredIntroduction: Bach's Orchestral Music. BachPerspectives 4 1999 3-8
31. Swack, JeanneModular Structure and the Recognition of Ritornello in Bach's Brandenburg Concertos. BachPerspectives 4 1999 33-53
32. Koster, JohnThe Harpsichord Culture in Bach's Environs. BachPerspectives 4 1999 57-77
33. Oleskiewicz, MaryThe Trio in Bach's Musical Offering: A Salute to Frederick's Tastes and Quantz's Flutes? BachPerspectives 4 1999 79-110
34. Schulenberg, DavidVersions of Bach: Performing Practice in the Keyboard Works. BachPerspectives 4 1999 111-135
35. Renwick, William39. Praeludia et Fugen del Signor Johann Sebastian Bach? The Langloz Manuscript, SBB Mus. ms. Bach P 296. BachPerspectives 4 1999 137-158
36. Walker, PaulFugue in the Music-Rhetorical Analogy and Rhetoric in the Development of Fugue. BachPerspectives 4 1999 159-179
37. Butt, JohnBach Recordings since 1980: A Mirror of Historical Performance. BachPerspectives 4 1999 181-198
38. Schulenberg, David (ed)The Music of J. S. Bach. Analysis and Interpretation. Edited by David Schulenberg. - Lincoln: Nebraska: University of Nebraska Press, 1999. x, 208p. (= Bach Perspectives, 4) BachPerspectives 4 1999 x, 208p
39. Owen, BarbaraBach Comes to America. BachPerspectives 5 2003 1-14
40. Dirst, MatthewDoing Missionary Work: Dwight's Journal of Music and the American Bach Awakening. BachPerspectives 5 2003 15-35
41. Broyles, MichaelHaupt's Boys: Lobbying for Bach in Nineteenth-Century Boston. BachPerspectives 5 2003 37-55
42. Greer, Mary J.'The Public...Would Probably Prefer Something that Appeals Less to the Brain and More to the Senses': The Reception of Bach's Music in New York City, 1855-1900. BachPerspectives 5 2003 57-114
43. Schulze, Hans-Joachim'A Lineal Descendant of the Great Musician, John Sebastian Bach'? Bach Descendants in the United States and the Problem of Family Oral Tradition. Trans. by Alfred Mann. BachPerspectives 5 2003 115-122
44. Wolff, ChristophDescendants of Wilhelm Friedemann Bach in the United States. BachPerspectives 5 2003 123-130
45. Wollny, PeterOn Miscellaneous American Bach Sources. [BWV 766, 772, 784] BachPerspectives 5 2003 131-150
46. Baron, Carol Kitzes'Father Knew (and Filled Me Up with) Bach': Bach and Ives--Affinities in Lines and Spaces. BachPerspectives 5 2003 151-177
47. Crist, Stephen A.The Role and Meaning of the Bach Chorale in the Music of Dave Brubeck. BachPerspectives 5 2003 179-215
48. Crist, Stephen A. (ed.)Bach in America. Edited by Stephen A. Crist. - Urbana and Chicago: University of Illinois Press, 2003. xiv, 227p. (= Bach perspectives, 5) BachPerspectives 5 2003 xiv, 227p
49. Rifkin, JoshuaThe 'B-Minor Flute Suite' Deconstructed. New Light on Bach's Ouverture BWV 1067. BachPerspectives 6 2007 1-98
50. Swack, JeanneA Comparison of Bach's and Telemann's Use of the Ouverture as Theological Signifier. [BWV 20, 61, 97, 110, 119, 194] BachPerspectives 6 2007 99-135
51. Zohn, StevenBach and the Concert en ouverture. BachPerspectives 6 2007 137-156
52. Butler, Gregory G.J. S. Bach's Concerted Ensemble Music, The Ouverture. Edited by Gregory G. Butler. - Urbana and Chicago: University of Illinois Press, 2007. xi, 163p. ISBN: 0-252-03042-7. (= Bach Perspectives, 6) BachPerspectives 6 2007 xi, 163p
53. Butler, Gregory G.Bach the Cobbler: The Origins of J. S. Bach's E-Major Concerto (BWV 1053). BachPerspectives 7 2008 1-20
54. Dirksen, PieterJ. S. Bach's Violin Concerto in G Minor. BachPerspectives 7 2008 21-54
55. Schulenberg, DavidThe Sonate auf Concertenart: A Postmodern Invention? BachPerspectives 7 2008 55-96
56. Wolff, ChristophSicilianos and Organ Recitals: Observations on J. S. Bach's Concertos. [BWV 1043, 1053] BachPerspectives 7 2008 97-114
57. Butler, Gregory G. (ed.)J. S. Bach's Concerted Ensemble Music, The Concerto. Edited by Gregory G. Butler. - Urbana and Chicago: University of Illinois Press, 2008. xi, 121p. ISBN-10 0-252-03165-2. ISBN13 978-0-252-03165-6. (= Bach Perspectives, 7) BachPerspectives 7 2008 xi, 121p
58. Wolff, ChristophUnder the Spell of Opera? Bach's Oratorio Trilogy. BachPerspectives 8 2011 1-12
59. Melamed, Daniel R.Johann Sebastian Bach and Barthold Heinrich Brockes. BachPerspectives 8 2011 13-41
60. Rathey, MarkusDrama and Discourse: The Form and Function of Chorale Tropes in Bach's Oratorios. BachPerspectives 8 2011 42-68
61. Snyder, Kerala J.Oratorio on Five Afternoons: From the Lübeck Abendmusiken to Bach's Christmas Oratorio. BachPerspectives 8 2011 69-95
62. Dreyfus, LaurenceThe Triumph of 'Instrumental Melody': Aspects of Musical Poetics in Bach's St. John Passion. BachPerspectives 8 2011 96-121
63. Chafe, EricBach's Ascension Oratorio: God's Kingdoms and Their Representation. BachPerspectives 8 2011 122-145
64. Melamed, Daniel R. (ed.)J. S. Bach and the Oratorio Tradition. Edited by Daniel R. Melamed. - Urbana, Chicago and Springfield: University of Illinois Press, 2011. ix, 153p. ISBN-10 0-252-03584-4. ISBN13 978-0-252-03584-5. (= Bach Perspectives, 8) BachPerspectives 8 2011 ix, 153p
65. Hirschmann, Wolfgang'He Liked to Hear the Music of Others': Individuality and Variety in the Works of Bach and His German Contemporaries. BachPerspectives 9 2013 1-23
66. Zohn, StevenAesthetic Mediation and Tertiary Rhetoric. BachPerspectives 9 2013 24-49
67. Talle, AndrewBach, Graupner, and the Rest of Their Contented Contemporaries. BachPerspectives 9 2013 50-76
68. Dunlop, Alison J.The Famously Little-Known Gottlieb Muffat. BachPerspectives 9 2013 77-119
69. Maul, MichaelBach versus Scheibe: Hitherto Unknown Battlegrounds in a Famous Conflict. BachPerspectives 9 2013 120-143
70. Talle, Andrew (ed.)J. S. Bach and His German Contemporaries. Edited by Andrew Talle. - Urbana, Chicago and Springfield: University of Illinois Press, 2013. viii, 151p. ISBN: 978-0-252-03813-6. (= Bach Perspectives, 9) BachPerspectives 9 2013 viii, 151p
71. Butler, Lynn EdwardsBach's Report on Johann Scheibe's Organ for St Paul's Church, Leipzig: A Reassessment. Bachperspectives 10 2016 1-15
72. Leaver, Robin A.Bach's Choral-Buch? The Significance of a Manuscript in the Sibley Library. Bachperspectives 10 2016 16-38
73. Stauffer, George B.Miscellaneous Organ Trios from Bach's Leipzig Workshop. Bachperspectives 10 2016 39-59
74. Wolff, ChristophDid J. S. Bach Write Organ Concertos? Apropos the Prehistory of Cantata Movements with Obbligato Organ. [BWV 1052, 1052a, 1053] Bachperspectives 10 2016 60-75
75. Butler, Gregory G.The Choir Loft as Chamber: Concerted Movements by Bach from the Mid- to Late 1720s. Bachperspectives 10 2016 76-86
76. Cron, MatthewMusic from Heaven: An Eighteenth-Century Context for Cantatas with Obbligato Organ. Bachperspectives 10 2016 87-118
77. Dirst, Matthew (ed.)Bach and the Organ. Edited by Matthew Dirst. - Urbana, Chicago and Springfield: University of Illinois Press, 2016. viii, 122p. ISBN: 978-0-252-04019-1. (= Bach Perspectives, 10) Bachperspectives 10 2016 viii, 122p
78. Marshall, Robert L.Father and Sons: Confronting a Uniquely Daunting Paternal Legacy. BachPerspectives 11 2017 1-23
79. Oleskiewicz, MaryKeyboards, Music Rooms, and the Bach Family at the Court of Frederick the Great. For Walter Mayhall, in memoriam. BachPerspectives 11 2017 24-82
80. Schulenberg, DavidC. P. E. Bach's Keyboard Music and the Question of Idiom. BachPerspectives 11 2017 83-112
81. Cortens, EvanVoices and Invoices: The Hamburg Vocal Ensemble of C. P. E. Bach. BachPerspectives 11 2017 113-131
82. Blanken, ChristineRecently Rediscovered Sources of Music of the Bach Family in the Breitkopf Archive. BachPerspectives 11 2017 132-171
83. Oleskiewicz, Mary (ed.)J. S. Bach and His Sons. Edited by Mary Oleskiewicz. - Urbana, Chicago and Springfield: University of Illinois Press, 2017. x, 191p. ISBN: 978-0-252-04148-8 (hardcover); 978-0-252-05008-4 (e-book) (= Bach Perspectives, 11) BachPerspectives 11 2017 x, 191p
84. Noll, MarkHistorical Proximity: John Wesley Visits Leipzig in 1738. BachPerspectives 12 2018 1-16
85. Irwin, Joyce L.Dancing in Bach's Time: Sin or Permissible Pleasure? BachPerspectives 12 2018 17-35
86. Leaver, Robin A.A Catholic Hymnal for Use in Lutheran Leipzig: Catholisches Gesang-Buch (Leipzig, 1724). BachPerspectives 12 2018 36-62
87. Stockigt, Janice B.Liturgical Music for a New Elector: Origins of Bach's 1733 Missa Revisited. BachPerspectives 12 2018 63-83
88. Rathey, MarkusBach's Christmas Oratorio and the Mystical Theology of Bernard of Clairvaux. BachPerspectives 12 2018 84-103
89. Stauff, DerekThe Church under Persecution: Bach's Cantatas for the Fourth Sunday after Epiphany. BachPerspectives 12 2018 104-128
90. Cypess, RebeccaMusic Historicism: Sara Levy and the Jewish Enlightenment. BachPerspectives 12 2018 129-151
91. Leaver, Robin A. (ed.)Bach and the Counterpoint of Religion. Edited by Robin A. Leaver. - Urbana, Chicago, and Springfield: University of Illinois Press, 2018. x, 157p. ISBN: 978-0-252-04198-3. (= Bach Perspectives, 12) BachPerspectives 12 2018 x, 157p
92. Zepf, MarkusReworking Fischer: Some Observations about Johann Sebastian Bach and Johann Caspar Ferdinand Fischer. BachPerspectives 13 2020 1-35
93. Hill, Moira LeanneRepaying Debt with Interest: The Revision of Borrowed Movements in C. P. E. Bach's Passions. BachPerspectives 13 2020 36-73
94. Knyt, Erinn E.The Bach-Busoni Goldberg Variations. BachPerspectives 13 2020 74-100
95. Crist, Stephen A.Bach as Modern Jazz. BachPerspectives 13 2020 101-121
96. Exner, EllenCertifying J. S. Bach's Interplanetary Funksmanship; or, What Bach Meant to Bernie Worrell. BachPerspectives 13 2020 122-142
97. Buch, Laura (ed.)Bach Reworked. Champaign : University of Illinois Press, 2020. 149p. ISBN: 978-0-252-05251-4. BachPerspectives 13 2020 149p

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